New Years Eve@ Scorpio / Gemini loft party
1920’s art nouveau cutouts formed the backdrop for the clock striking midnight. Featuring Funkrust, the post-apocalyptic brass band, Kelvin’s storytelling, and a circus of performers through the night.
Theater
Plan 23 with Cj at Roulette’s Mixology Festival
Plan 23 and myself performing at Mixology.
A Long Day in a Bad Shirt
I helped with live video at Dixon Place for Jamie Leo‘s production “A Long Day in a Bad Shirt (Dispose of Properly)”.We use an iphone and a face-swap app, layered with Jamie’s designs and content. A Long Day in a Bad Shirt Dixon Place Wed Sept 7 7:30ET 161A Christie St NYC 10002
History and Future of Protein event projections
Studio Industries produced this event, where we time-travelled through the past, into the future of protein during an 8 course meal. My role was to create the projections surrounding the attendees, giving the impression of the different periods. Future Market Dinner Series
You are so Luck Halloween in Yonkers
I created and installed lighting for the You Are So Lucky halloween event at Alder Manor in Yonkers, with the help of many friends including Nina(T-bone), Jeannie Angel, and Sam Zimmerman. Photos in Gothamist by Todd Seelie
The Museum of the Transition from the Unreal to the Real
Written, conceived, and directed by Liron Dan, Kelvin Daly, and the Ensemble Movement: Fibi Jane, Jacqueline Ha, Craig Whitehouse, Madi McKay, Emily Rubin, Noa Lembersky, Liron Dan Music: Zemi 17, Dok Gregory, Shamos Dan, Kelvin Daly Real time Light Sculpture by Chris Jordan At THE HIVE, 20 Cook St., Brooklyn, (thehivenyc.com) near the JMZ at…
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10% Nation at Dixon Place
SATURDAY, SEPTEMBER 22, 10 PM DIXON PLACE, LES I’m doing the video design for this play on celebrity culture, with the theater company Nerve Tank “I think all the time now that I’m Cinderella, and the clock’s about to strike midnight, and the coach turns back into a pumpkin.†10% Nation is a show about…
Little Annie and CJ at the Slipper Room
I created the backdrop for Little Annie’s show at the Slipper Room. This involved biking through downtown looking for the quietest, emptiest streets to capture film loops.